WILD TALES Official HD Trailer Review
COMEDY can be a tricky genre for filmmakers to succeed at, and even more so for the inclusion of comedy as a sub-genre.
With Wild Tales, however, Argentinian director Damian Szfiron manages to craft a...
Rams Review
A RIVALRY between two brothers on a farm in Iceland is centre stage for Rams, an often darkly humorous yet unexpectedly moving drama that acts as a quality example of modern Nordic cinema courtesy...
Silence Review
DECADES in the making and after much uncertainty, Martin Scorsese at long last brings to the screen Silence, an often disturbing drama that may not be beloved as other works but presents as a...
Your Name Review
JAPANESE animation expresses its reliability yet again in world cinema with the anime Your Name, an interesting mix of genres that engages and impresses from beginning to end.
Mitshua is a country girl who secretly loathes her...
45 Years Review
BRITISH cinema has arguably made a much-needed return to form this year thanks to Testament of Youth, The Duke of Burgundy and Queen and Country. Now 45 Years, a relationship drama from Andrew Haigh,...
Hell or High Water Review
THE familiar narrative of cops taking on criminals forms the basis for Hell or High Water, an intriguing modern western that not only grips with genuine effect but progressively gets better as the film builds...
Hail, Caesar! Review
THE Coen Brothers have yet to step a foot wrong this decade with their directorial efforts and Hail, Caesar!, an A-list star littered love letter to 1950s Hollywood, continues the general trend for entertainment...
Sully Review
PROVING that at 86 he’s still got it, Clint Eastwood teams up for the first time with Tom Hanks for the autobiographical Sully, an often gripping story of what is known as the Miracle...
The Nice Guys Review
RUSSELL Crowe and Ryan Gosling head to the 1970s for Shane Black’s black comedy The Nice Guys, an often hilarious piece that benefits from the chemistry of the two leads, as well as their...
Three Billboards Outside Ebbing, Missouri Review
MARTIN McDonagh may just be one of those directors who gradually improves with each film.
Though his debut feature In Bruges was arguably a misfire, Seven Psychopaths was a compensation of sorts. Three Billboards Outside...